Santa Maria degli Angeli

     

 

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Built between 298 and 306 AD., the Baths of Diocletian were the most imposing of Imperial Roma, able to house double the number of users compared to the sumptuous building begun by Caracalla about eighty years before. It is still possible to assess the size of the entire complex - that source said were decorated with 3,000 baths - taking into account that its external perimeter is marked, to the south west, by the exedra formed of 19th century buildings at the Via Nazionale end and, further to the north by the hall transformed into the church of St. Bernard.



Beyond the ex Carthusian convent, the central area houses public offices, the Teaching Faculty, the ex planetarium and the premises of the National Roman Museum (The ex Museum ofthe Baths, formed in 1889) whose important collections of antiquity have been, in part, moved to the nearby, new home of Massimo Palace and to the Altemps Palace. The old project by Urban II for the transformation of the central area of the old Baths of Diocletian into a place of worship was re-proposed in 1541 and confirmed with the bull by Julius III on the 10th August, 1550, but then abandoned.  With respect to the new artery marked out by Pi us IV, the Strada Pia; in 1561, the pontiff commissioned Michelangelo to complete the building, placed under the patronage of Cardinal Carlo Borromeo and in the meantime given over to the Carthusians who were given the honour of constructing the annexed convent. Limiting the modifications and, therefore, the expense, the works began again two years later and were completed in 1565. Respecting the original axis of the imposing baths building and using the tepidarium as a vestibule (originally with a dome and lantern), the image of the new church built over the pagan remains would appear as a sign of the strong religious contents, marked by the monumental transept vaults held up by the eight enormous red granite columns and by the deep rectangular choir imposed by liturgical needs and enlarged in the second half of the 18th century.
     
   
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